Spirit Pole
A totem carved for the Cowichan 2008 North American Indigenous Games, with the assistance of over 10,000 people in British Columbia.
A totem carved for the Cowichan 2008 North American Indigenous Games, with the assistance of over 10,000 people in British Columbia.
A large-scale commission for the 2010 Olympic Games, consisting of four large panels created from stainless steel, cedar, and glass.
As a tribute to Emily Carr’s works, Haida Totems, Cha-atl (1912) and Big Eagle, Skidegate (1929), Carey designed and carved a wooden house front and eagle statue in Chemainus, B.C.
Emily Carr Tribute Read More »
For the EAGLE Project, Carey collaborated with Indigenous youth to carve two totem poles. The project was one facet of a program for youth empowerment through the Victoria Native Friendship Centre.
A public installation in Wood Buffalo, Alberta that reflects the significance of humility in both concept and material.
Beginning as a small community project, it evolved into a mentorship program, as Carey designed the mural and commissioned two students at the University of Victoria to paint it.
The final totem carved out of old growth red cedar to inspire industry and government change in the face of a climate crisis.
Developed for PC Urban, Past, Present, Future is a large installation of Core 10 steel.
Past, Present, Future Read More »
An ongoing collaborative project between Carey and the Victoria Cool Aid Society, where Indigenous clients can link their recovery within the cultural context of carving a totem pole.
An interactive installation that invites viewers to consider their connection with the land by creating music for the earth.