Emily Carr Tribute
PUBLIC INSTALLATION
The Chemainus project consisted of two components as a tribute to Emily Carr’s paintings, Haida Totems, Cha-atl of 1912, and Big Eagle, Skidegate from 1929. The premise of the project was to reinterpret or re-dimensionalize carvings that Carr flattened in her paintings.
Carey designed the wooden structure from Haida Totems, Cha-atl, and carved the fascia boards on the exterior. He also carved the wooden eagle perched on top of the house front, bringing Big Eagle, Skidegate to three-dimensional life.
OTHER INSTALLATIONS
Witness Blanket
Inspired by a woven blanket, the Witness Blanket is a large-scale work of art. It contains hundreds of items reclaimed from residential schools, churches, government buildings and traditional and cultural structures from across Canada.
All My Relations RRU
All My Relations is a stainless steel installation in the Dogwood Auditorium at Royal Roads University. The design speaks to the concept of the Kwakwak’awakw term awi’nakola, which means to live in good relations with the land, air, water, spirit world, and everything within them.
Hearts and Hands
Beginning in 2018, Hearts and Hands was a project with Oaklands Elementary to integrate authentic Indigenous learning into the classroom in a “hearts on, hands on” manner.
ka’yasu’/ne’nakw
A shadow is formed by the presence of a form disrupting light. Paint, cracked and faded, conveys the presence of sunlight, weather, and the passage of time.
The Last Totem
The final totem carved out of old growth red cedar to inspire industry and government change in the face of a climate crisis.
Past, Present, Future
Developed for PC Urban, Past, Present, Future is a large installation of Core 10 steel.
Mind, Body and Spirit
Commissioned for the Baumann Centre through Pacific Opera Victoria, Mind, Body and Spirit is a work of art integrated into the functionality of the building.
Cool Aid Totem
An ongoing collaborative project between Carey and the Victoria Cool Aid Society, where Indigenous clients can link their recovery within the cultural context of carving a totem pole.
OTHER INSTALLATIONS
Interested in commissioning Carey Newman for your next project?
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