A private commission that is three stories high depicting a dragon and tiger.

A collaborative art piece created with Jordan Hill and Omid Afarinzad that resides in the Esquimalt Town Centre.

A totem carved for the Cowichan 2008 North American Indigenous Games, with the assistance of over 10,000 people in British Columbia.

A large-scale commission for the 2010 Olympic Games, consisting of four large panels created from stainless steel, cedar, and glass.

As a tribute to Emily Carr’s works, Haida Totems, Cha-atl (1912) and Big Eagle, Skidegate (1929), Carey designed and carved a wooden house front and eagle statue in Chemainus, B.C.

For the EAGLE Project, Carey collaborated with Indigenous youth to carve two totem poles. The project was one facet of a program for youth empowerment through the Victoria Native Friendship Centre.

A public installation in Wood Buffalo, Alberta that reflects the significance of humility in both concept and material.

Beginning as a small community project, it evolved into a mentorship program, as Carey designed the mural and commissioned two students at the University of Victoria to paint it.

All My Relations is a stainless steel installation in the Dogwood Auditorium at Royal Roads University. The design speaks to the concept of the Kwakwak’awakw term awi’nakola, which means to live in good relations with the land, air, water, spirit world, and everything within them.

The Witness Blanket was featured as Canada’s “Guest of Honour” at the 2021 Frankfurt Book Fair.

Beginning in 2018, Hearts and Hands was a project with Oaklands Elementary to integrate authentic Indigenous learning into the classroom in a “hearts on, hands on” manner.

A private commission carved to represent each member of the owner’s family.